Friday, October 15, 2010

The Impetus for Agglomeration

Language has different meanings for everyone. Everyone speaks his/her own individual language even though the spoken parts are the same. But not everyone translates one kind of language into another. From speaking language to a musical or visual one.

Generally, the sequencing of words is antithetical to thought. This is the reason that grammar no doubt was designed so that some kind of uniformity be imposed on the way in which words come out so that, when assembled, they could be understood by those who can understand.

But, poetry, art and music are not about sequencing necessarily; they arise from the whole mind without any rules: they originate automatically.

I like combining words and pictures. Not in the sense, that a picture means a thousand words, but that pictures, stationary or moving, imprint concepts in ways that words cannot.

Maybe the combination of words and pictures is really my work. And that continually separating them is causing unnecessary struggle both in my writing words and my making pictures or drawings. Perhaps I am on to something here. Perhaps the natural basis for verbal and visual events is their combination, at least for me. Maybe I am fighting an internal battle for no reason.

But then, I have to consider that many of the words I write are about music rather than for the sake of being themselves. In the largest sense, I can deal with the combination of three languages. Many mixed media events. Yet, I sacrifice the purity of the three different, distinct languages.

So what am I after? I am after the space where the mind is at peace when involved with any one of the three languages on which I focus. When I am mindless in my mindfulness.

I am not a musician: I write about music. Apparently with a viewpoint that is oddly clarifying. Because the impulses the musician goes through every time he/she improvises or composes formally, bear striking similarity, I feel, to the ones I go through when I am pulling together strange visual marks on surfaces.

That water has come to pre-occupy me of late has everything to do with achieving mindfulness. To listen to the water's roar invests me with its power. Water can carve any path that it finds. A product of nature, not a result of the decision the water makes. No complaints, no worries, no emotions, no suffering. That the earth is partially water is a blessing. For us. Recognizing how fluid motion happens teaches me to let go.

To let the words move into space effortlessly, to let the marks in making art come from within without question, to interpret music as the moments allow and give the reader the poetry that the interpretation is.

Solo, in and out, a filter through miles of useless energies, to burn pure light and be essence.

copyright 2010 Lyn Horton

Photo: Waterfall, copyright 2010 Lyn Horton
Image: Polyphasia, copyright 1990-10 Lyn Horton
Video: Mergeance, copyright 2010 Lyn Horton

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